Preview of a Coming Attraction

I was pleased to discover that an essay of mine (“The Poet’s Audience: Part Two”) was posted on WordPress Reader (between an article on Patti Smith’s memoir, Just Kids, adapted by Showtime–about her relationship with artist Robert Mapplethorpe–and the “playful foreignisation” of Peter Manson’s English in Mallarme), along with a photo of the first reading I gave in Monterey (when we returned to California and I published the book Pacific Grove in 1974). Consequently, I seem to have gathered some “traffic” for my blog (71 “views” between August 24 and August 31, from the U.S., United Kingdom, Japan, Netherlands, France, New Zealand, Botswana, and Germany). Thanks everyone!

I don’t know how many people might be able to make the trek from New Zealand or Botswana, but on Sunday, September 13 (2:00 PM), I will be giving a reading from Gypsy Wisdom: New and Selected Poems at Old Capitol Books in Monterey (559 Tyler Street). I will be reading with an excellent poet from Santa Cruz, California with whom I’ve had the pleasure to read before: Maggie Paul.

Maggie is the author of Borrowed World, a collection of poems published by Hummingbird Press, and the chapbook Stones from the Basket of Others (Black Dirt Press). She earned an MA at Tufts University and her MFA at Vermont College. At present, she teaches writing at Cabrillo College and works as an educational consultant.

Here’s a photo of Maggie Paul, the entrance to Old Capitol Books in Monterey, and me:

Maggie Paul   Maggie Paul at Old Capitol Books   Author Book Launch

Bob Danziger has posted the first review of Gypsy Wisdom: New & Selected Poems on the book’s amazon.com site. I am grateful to this fine writer (A Funny Thing Happened on the Way to Energy Independence; Steinbeck and the Sounds of the Filipino American Experience; for the National Steinbeck Center Exhibition “Filipino Voices Past and Present”; Japantown in Chinatown; for the National Steinbeck Center Exhibition “Japanese History in Salinas Chinatown”) and Musician, Composer, Arranger (Brandenburg 300 Project: “jazz-classical crossover version of the Brandenburg Concertos using instruments and recording techniques not available in Bach’s time.”). Here’s the review:

“DEEPLY TOUCHING

William Minor communicates. Poet, journalist, painter, musician, composer, translator, producer, teacher and performer, he shares his deeply lived life through all of these mediums. He wears each comfortably, letting the extraordinary experiences and earned insights be the events they are without the ego assumptions many artists need to sustain themselves … The latest in a long line of my favorite works by William Minor (Love Letters of Lynchburg, Unzipped Souls, Some Grand Dust, Monterey Jazz Festival; Forty Legendary Years), GYPSY WISDOM reflects William Minor’s thoughts as he takes his place as senior member of Monterey’s corps of great artists.

You must feel this:
‘From the whole divided heart
(the only kind we mortals can possess)
the sound of recognition and love
emerging from pressed fingers.’

And from the translation of an Osip Mandelstam poem (in my opinion a translation of absolute genius):
‘No, never was I anyone’s contemporary . . .
A hundred years ago, on a rough cot
with soft white pillows, this age of clay awoke …
What a vulnerable bed that was, if you
contemplate the slow creaking trek of time.
But what of it? We cannot invent a substitute era.
We must age in this one as best we can …’”

We had a Book Launch for Gypsy Wisdom: New & Selected Poems on July 25 at the Museum of Monterey. Vocalist Jaqui Hope offered poems I’d set to original music (with Heath Proskin on bass and me on piano). Unfortunately, the “troupe” is not available for September 13, so I’m going to go my portion of the reading alone—even to the point of singing some of the song/poems myself. In 2002, Mac McDonald reviewed a CD on which I sang (Bill Minor & Friends: For Women Missing or Dead, Poems Set to Music), and Mac said I was “a skillful pianist … with a pleasant [italics mine] voice.”

I will do my best, on September 13, to make that voice as pleasant as possible—accompanying myself on my faithful Yamaha, and reading other pieces from Gypsy Wisdom: New & Selected Poems. The book can be found for sale at: amazon.com (http://www.amazon.com/Gypsy-Wisdom-New-Selected Poems/dp/1935530976/ref=sr_1_1?s=books&ie=UTF8&qid=1438124136&sr=1-1&keywords=gypsy+wisdom+new+%26+selected+poems+by+william+minor) –and also, locally, at Old Capitol Books and at the Gift Shop in the Museum of Monterey (5 Custom House Plaza, next to the wharf).

It will be wonderful giving a reading in the company of Maggie Paul again, so I hope that those of you who can make it will come hear us at Old Capitol Books. Just to flesh out the invitation I will include, here: the cover of Gypsy Wisdom, the flyer I sent out for the event, and a repeat of the (distant in time) photo taken in 1974.

Gypsy Wisdom Final Cover  Maggie Paul and William MInor Flyer  Bill First Readin in PG 2

 

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Author: William Minor

I am a writer and musician who has published thirteen books: most recent Going Solo: A Memoir 1953-1958; also Gypsy Wisdom: New & Selected Poems; The Inherited Heart: An American Memoir, a comic novel (Trek: Lips. Sunny, Pecker and Me); three books on jazz (most recent: Jazz Journeys to Japan: The Heart Within), and six other books of poetry. A professional musician since the age of sixteen, I have released three CDs (most recent: Love Letters of Lynchburg--spoken word and original musical score commissioned by the Historic Sandusky Foundation in Virginia). I was educated at The University of Michigan, Pratt Institute, The University of Hawaii, UC-Berkeley (MFA in Painting and Drawing), and San Francisco State College (MA in Language Arts). I taught for thirty-two years (English, Creative Writing, Humanities) at The University of Hawaii, Wisconsin State University-Whitewater, and Monterey Peninsula College). Originally trained as a visual artist, I have exhibited woodcut prints and paintings at the San Francisco Museum of Art, The Pennsylvania Academy of the Fine Arts, and the Smithsonian Institution. I have been married to Betty for sixty years and we have two grown sons: Timothy and Stephen. We live in Pacific Grove, California where, retired from teaching, I just write and play music, both of which I love.

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